Friday, December 25, 2009

Saving Cicadas, by Nicole Seitz (Thomas Nelson)

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(Click cover for more information)


I want to describe Saving Cicadas as deceptively imaginative, but ‘deceptive’ could cast a negative shade over the story and I don’t mean it in any negative way. Still, it’s true, so I’m sticking with it.

Saving Cicadas is deceptively imaginative.

Nicole Seitz has woven a subtly explosive tale of redemption, hope and fantastical intrigue set in the flatlands of the South. It seemed harmless enough. When the theme began to emerge from the plot, I sat back, comfortable in my certainty with where the tale was going. I assumed the journey would be the focus as the destination was obvious. And then something happened. I straightened in my chair, narrowed my eyes, and read on. After a couple more chapters, all became clear again, and, lulled into a second brief period of smug satisfaction, I turned the page—and stepped right into another curve ball. Then came a fast ball. Then a slider. My gosh, Nicole! What are you doing here? What she was doing was incredible.

Delivered in the first-person perspective mostly through the eyes of 8½ year-old Janie Doe Macy (who might not be who she thinks she is), and Grandma Mona (who might not be who you think she is), Saving Cicadas both celebrates and struggles with the miracle of life—all life; from bugs, to roses, to children, and a whole lot in between. But there's more to it than that. The true delight of the first-person voice is experiencing the story through the eyes of a character directly involved in it. If done well, it creates the effect of involving you in it, too. Nicole captures Janie’s mind and vernacular so well, you don’t experience the story with Janie, you become Janie. If you don’t, either you’ve never been eight years old, or you have no pulse.

Saving Cicadas is a journey of discovery, but you won’t really know where it’s leading until Ms. Seitz decides it’s okay for you to know. She sets you up with a straightforward thematic thrust, putting you comfortably off guard, then keeps you off balance with simplistically complex plot. Multi-dimensional characters challenge your inclination to develop first impressions and stick with them for any meaningful length of time. Her colorful writing voice paints a warm and unpretentious backdrop—which is ‘deceptive’ in its own right. Then, when you least expect it, the story picks up speed and passes the point of safe ejection before you have a chance to react. So, get yourself two cups of tea and unplug the telephone, ‘cuz you’re not going anywhere for awhile.

I guess you’ve probably noticed that I enjoyed this book. Please get it. If, when you’ve finished it, you don’t agree with this review, I’ll refund you the cover price. Seriously.

One last bit of advice: Don’t ever sit down at a poker table with Nicole Seitz. You haven’t got a chance.

(Disclaimer: Saving Cicadas was provided free of charge by Thomas Nelson for review; however, my comments would have been no different had I spent twice the cover price.)
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Monday, December 14, 2009

A Deadly Wilderness, by Kelly Irvin (Five-Star)

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(Click cover for more information)
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I finally turned off the reading lamp an hour and a half after my usual bedtime last night. I had reached the last few chapters of Kelly Irvin's A Deadly Wilderness. It wasn't so much that I "couldn't put it down." It's that I refused to put it down.
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Set right here in San Antonio, A Deadly Wilderness is a fast-paced thriller that follows the exploits of Detective Ray Johnson, who, while hiking in one of the city's wilderness parks, literally falls over a dead body--but not just any dead body. The late Joey Doyle, son of a prominent local family, has been savagely murdered and partially dismembered. Immediate and intense political pressure fuel Ray's innate overdrive, and he fights both the politicos and the clock to solve the case before the killer strikes again...and then again...and then again. All the while, Ray's professional skills and his devout faith are challenged to the limit every perilous inch of the way. Then, when he starts to get too close, the killer turns his eyes on Ray.
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An excellently conceived and cleverly crafted supporting cast push and pull at Ray throughout the ordeal. His on-again/off-again relationship with the lovely Susana Martinez-Acosta becomes entangled with the investigation, as does his strained friendship with Susana's protective brother, Samuel--who also happens to be Ray's boss. Hindered as much as helped by Detective Deborah Smith, his alcoholic partner, Ray limps one step forward then stumbles two steps backward until...nope, not gonna tell ya. You'll have ta read the "until."
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But Ms. Irvin does more than spin a gripping tale of murder, lust, and greed. She invades the human heart and turns it inside out, spilling the good, the bad and the ugly into a jumbled mess on the floor. Then she very carefully and skillfully reassembles the pieces and sculpts them into a diverse cast of personae who complement and collide, attract and repel, win and lose, and...well, I guess act a lot like you and I. They're at once lovable, annoying, inspiring, frustrating, and...well, I guess are a lot like you and I. Do I detect a trend here?
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Only one more thing. You'll enjoy Ms. Irvin's delightful writing voice that permeates the characters' dialog and garnishes the narrative with glib one-liners and poignant observations. I mean...okay, let me give you an example. Now, this is just from her 'Acknowledgments' page, mind you; it's not part of the actual story and, in fact, isn't designed to be overtly clever. You be the judge:
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"It's important to state for the record that the events in this novel are complete and utter fiction. San Antonio parks are incredibly safe, beautiful places for families to share wonderful times together, in large part because of the San Antonio Park Police. The crimes that occur in parks in this novel are figments of a feverish, overactive imagination."
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Now I ask you: if she can write a sterile acknowledgment with this much personality, imagine how it reads when she's selling you her dream. Just how do you not read a story by someone who writes like this? Uh huh, you'll refuse to put it down, too.
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So, now **yawn** I've begun my work week sleep deprived, and it's all Ms. Irvin's fault. If I get grouchy, Kelly, you have Jeannie to answer to, that's all I have to say...
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(A Deadly Wilderness is scheduled for release in January 2010. I highly recommend you pre-order it here.)
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Thursday, December 3, 2009

New Feature!

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Some of you may already have noticed, but there's a new widget on the blog. Halfway down on the left side is a Shelfari bookshelf with those books I have lined up for my next reviews. Mouse-over the cover and you'll get a synopsis of the story. There are also navigation buttons at the bottom of the bookshelf to page ahead to additional covers.

If you have a work of Christian fiction you'd like me to review, please feel free to leave a comment at any time. Thanks!